{"id":28302,"global_id":"www.cseas.kyoto-u.ac.jp?id=28302","global_id_lineage":["www.cseas.kyoto-u.ac.jp?id=28302"],"author":"7","status":"publish","date":"2016-10-21 11:53:26","date_utc":"2016-10-21 02:53:26","modified":"2016-10-21 11:55:31","modified_utc":"2016-10-21 02:55:31","url":"http:\/\/www-archive.cseas.kyoto-u.ac.jp\/www\/2016\/event\/20161107\/","rest_url":"http:\/\/www-archive.cseas.kyoto-u.ac.jp\/www\/2016\/wp-json\/tribe\/events\/v1\/events\/28302","title":"Special Seminar by Dr. Adam Tyson on November 7th","description":"

Date and Time<\/strong>: November 7th (Mon.), 2016, 16:00 \u2013
\nPlace<\/strong>: Tonan-tei (Room No. 201) on the 2nd floor of Inamori foundation
\nmemorial building, Center for Southeast Asian Studies, Kyoto University<\/p>\n

Title<\/strong>: Tales of Genocide: The Oppenheimer Project, Interventionism and Human Rights Campaigners in Indonesia
\nSpeaker<\/strong>: Dr. Adam Tyson, School of Politics and International Studies, Faculty of Education, Social Sciences and Law, University of Leeds<\/p>\n

Moderator<\/strong>: Masaaki OKAMOTO, CSEAS, Kyoto University<\/p>\n

Abstract<\/strong>:
\nWe all deplore human suffering. We have an intuitive sense of justice, of right and wrong. And yet I struggle to endorse the emerging genre of genocide documentaries \u2015 exemplified by the work of Joshua Oppenheimer \u2015 and the political campaigns that accompany many of these popular productions. I agree with Makau Mutua, a Kenyan-American professor of law, that the human rights corpus is experimental, incomplete, and has the potential to reproduce a type of cultural dispossession that is reminiscent of colonial times (in Africa, or Southeast Asia). In other words, we need to question the extent to which modern human rights campaigns are premised on an illegitimate normative (Eurocentric) framework. Celebrity filmmaker Joshua Oppenheimer has brought the human rights \u2018crusade\u2019 to Indonesia in a most spectacular way. His two \u2018documentary\u2019 films about Indonesia\u2019s genocide in 1965-1966, The Act of Killing and The Look of Silence, are widely celebrated within the human rights fraternity, although the director faces accusations of exploitation and unethical practices in the field. Ian Buruma and many other influential figures have risen to Oppenheimer\u2019s defence, claiming that his critics misunderstand what he is trying to achieve: to reveal how former executioners manage to live with their past, and how government propaganda and the twisting of public narratives has shaped Indonesian society ever since. I do not debate the reasoning behind Oppenheimer\u2019s investigation of the Indonesian genocide, but rather examine the processes and nature of his investigation. I argue that the making of his films requires direct intervention into the lives of former killers and victim communities. By revisiting the traumas of the past, Oppenheimer and some human rights campaigners are producing controversial and unsettling imagery and narratives that risk jeopardizing the uneasy peace that exists in local Indonesian settings today.<\/p>\n

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