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Seminars/Symposia: FY2010

July, 2010

FILIPINO FILM FORUM
The Filipino Film Forum cordially invites you to the screening of Lino Brocka’s masterpiece, Orapronobis (Fight for Us), followed by a short talk by Dr. Nicanor G. Tiongson, Japan Foundation research fellow based at the Center for Southeast Asian Studies, Kyoto University.
  1. Time and Date:5:30 pm sharp, Thursday, July 29, 2010
  2. Venue:
    Room 101, First Floor, Institute of Research in the Humanities, Jinmon-ken Building (near north gate, facing Imadegawa St), Kyoto University, Yoshida Campus
    (http://www.zinbun.kyoto-u.ac.jp/access/access.htm)
  3. Film Title:Orapronobis (Fight for Us)
  4. Synopsist:
    In 1985, in the obscure town of Dolores, the Orapronobis, a vigilante group and religious cult under the leadership of Kumander Kontra (Bembol Roco), murders a foreign priest who gave the last rites to an alleged rebel, who was also executed by the same group. After the success of the 1986 EDSA revolt, all political prisoners are released, including Jimmy Cordero (Phillip Salvador), an ex-priest-turned-underground revolutionary. Not long after, Jimmy marries a human rights activist, Trixie (Dina Bonnevie), and becomes a human rights advocate himself. Despite Trixie’s protests, Jimmy and Trixie’s brother, Rolan (William Lorenzo), join a fact-finding mission to Dolores led by Sister Marie (Ginnie Sobrino) to investigate the latest massacre perpetrated by the Orapronobis. There Jimmy meets Esper (Gina Alajar), his ex-girlfriend. He finds out that he has a son with her, Camilo (R.R. Herrera) but they agree to keep Jimmy’s identity from the boy. Meanwhile, with the blessings of the military, the Orapronobis step up their acts of terror. Jimmy’s group is forced to evacuate the townspeople to the town church, then later to Manila. In Manila, Jimmy exposes the Orapronobis as a band of thugs on TV. After the show, he and Rolan are ambushed. Jimmy survives, but Rolan is killed. Shortly after, soldiers raid the refugee center with a masked man who identifies several of the barrio folk as rebels. The remaining refugees, led by Esper, and the human rights activists bring the case of illegal arrests to court. But after the hearing, Esper and her son themselves are abducted by the Orapronobis. Esper is raped by Kumander Kontra in front of her son. She fights back and shoots Kontra. Before dying, Kontra goes on a rampage, killing all prisoners. Later, the military bring the casualties back to Dolores, saying these were rebels killed in an encounter with the military. Jimmy weeps over the bodies of Esper and his son. Back in Manila, Jimmy contacts his old colleague from the underground.
  5. PRODUCTION STAFF: Producer, Cannon Films / Director, Lino Brocka / Writer, Jose F. Lacaba / Cinematography, Rody Lacap / Editing, George Jarlego, Sabine Mamou, Bob Wade / Sound, Alfredo Sabile.
  6. AWARD :One of the ten best films of the 1980s, Manunuri ng Pelikulang Pilipino
Special Seminar by Dr. Victor Teo
  1. Date & Time:July 26th, 2010, 13:30-15:00
  2. Place:Small Seminar Room II (Room No. 331), Inamori Foundation Memorial Building, Kyoto University
  3. Speaker:Victor Teo, PhD, Japan Foundation Visiting Fellow, CSEAS, Kyoto University from The University of Hong Kong
  4. Topic:Contextualising China's Peaceful Rise in Southeast Asia: A Test Case for China's World Status
  5. Abstract:
    This paper aims to review recent scholarship documenting the debate on China's professed doctrine of Peaceful Rise. By laying out the context to this doctrine, the paper discusses the domestic and foreign perspectives on this idea, thereby exposing the perceptual gulf that exists between Chinese and non-Chinese analysts. The paper argues that one of the best indicators on China's behaviour as potential world power in the international system could come from an empirical analysis on her international behaviour in a specific region. To this end, the paper attempts to do so by scrutinising China's diplomatic engagement in Southeast Asia, and delineates what one should or could expect from China as she continues on her current developmental trajectory.
  6. Contact:Kosuke Mizuno, CSEAS (Ex:7351)
The First Public Forum on Indonesia : Current Political & Economic Trends
  1. Date & Time:July 23rd, 2010, 9:30-16:10
  2. Place:Room No. 333, Inamori Foundation Memorial Building, Kyoto University
  3. Organizers:Consulate-General of the Republic of Indonesia in Osaka/ Center for Southeast Asian Studies, Kyoto University
  4. Program:PDF
  5. Poster:PDF
Seminar of GCOE-Initiative 4 & 2
  1. Date & Time:13 July, 2010 (Tue.) 14:00~16:00
  2. Place:
    Small Meeting RoomⅡ, Inamori Foundation Memorial Hall, Kyoto University
    http://www.cseas.kyoto-u.ac.jp/about/access_ja.html
  3. Speaker1:
    Masaaki HIRAI (G-COE Researcher, CSEAS)
    Title: Techniques and institutions of resources use in densely populated area: A case from Sereer of Senegal
    Speaker2:
    Rumiko MURAO (JSPS Researcher)
    Title: Reconstraction of livelihood strategies in high mobility societies of western Zambia: with special reference to cash income activities of women
    * This seminor will be held in Japanese.
11th Research Meeting for Oil Palm
This seminar is organized under JSPS program, Grant-In-Aid for Scientific Research on Oil Palm (Principal Investigator: Hayashi Hideki), a CIAS Collaborative Research Group on Oil Palm (Okamoto).
  1. Date & Time:10th July, 2010 13:00-18:15      
  2. Venue:Middle Meeting Room (chuu-kaigishitsu), Inamori Building, Kyoto University, Japan 
  3. Program:
    Part 1 Indonesian Session
    13:00-15:30 
    "Politics of Oil Palm Plantation Expansion and the Popular Resistance Movement in West Kalimantan" (by Drs. Abudur Rozaki (Islamic State University of Sunan Kalijaga, Yogyakarta, Indonesia)
    "The Relation Dynamic of Small Holder Oil Palm Plantation and The State : The Case Study in North Sumatra - Indonesia" (Drs. YB. Widodo (Pusat Penelitian Kependudukan, LIPI, Indonesia)
    Part 2 Malaysian Session
    15:45-18:15 
    ”From Natural Forest to Planted Forest: Metamorphoses of a High Biomass Society in Northern Sarawak, Malaysia” (Dr. Ishikawa Noboru, CSEAS)
    ”Resistance and Resiliance of Local Community to the Oil Palm Plantation in Sarawak” (Ms. Kato Yumi)
FILIPINO FILM FORUM 2010
KINATAY (THE EXECUTION OF P), 2009
For its second offering this year, the Filipino Film Forum cordially invites you to the screening of the very controversial KINATAY, the film that won for Filipino director Brillante Mendoza the Best Director Award at the 2009 Cannes Film Festival. The screening will be followed by a short talk by Dr. Nicanor G. Tiongson, Japan Foundation Fellow, Center for Southeast Asian Studies, Kyoto University.
  1. DATE AND TIME:JULY 6, 2010, TUESDAY, 6:00 P.M 
  2. PLACE:
    Rm. 447 (the Big Lecture Room) of the Research Building No.2, Yoshida Main Campus, Kyoto University. Rm. 447 is along the eastern corridor of the 4th floor in the building.
  3. PLOT:
    A decent man who steps outside the law finds himself falling into an abyss. Peping (Coco Martin) is a young man studying to become a policeman. He has just married his long-time girlfriend Cecille (Mercedes Cabral), with whom he has a baby. Between school, his wife, and the baby, money is scarce for Peping, and an old friend, Abyong (Jhong Hilario), tells him he can make good money by helping out some local loan sharks with their collections. While his conscience objects, Peping agrees. But while the work involves scaring a few small time hoods at first, things take a grim turn when he's asked to tag along with Sarge (John Regala) and Kap (Julio Diaz) as they collect a debt from Gina (Maria Isabel Lopez), a junkie streetwalker who turns tricks under the name "Madonna." It soon becomes clear that Gina can't pay what she owes and if Sarge can't get cash, he'll take his payment in pain. He and his assistant Boy Chico (Lauren Novero) beat, rape, torture, and butcher the woman in an abandoned house, and captive Peping must assist in the gory crime. Adopted from Mark Deming, All Movie Guide
  4. PRODUCTION STAFF:
    Production : SWIFT PRODUCTIONS AND CENTERSTAGE PRODUCTIONS
    Producers : DIDIER COSTET and FERDINAND LAPUZ
    Director : BRILLANTE MENDOZA
    Writer : ARMANDO LAO
    Production Design : DANTE MENDOZA
    Cinematography : ODYSSEY FLORES
    Editing : KATS SERRAON
    Music : TERESA BARROZO
    Sound : ALBERT MICHAEL IDIOMA
  5. AWARDS:
    Best Director (Brillante Mendoza), Cannes Film Festival 2009
    Best Film, Gawad Urian 2010
    Best Director (Brillante Mendoza), Gawad Urian 2010
    Best Sound (Albert Michael Idioma), Gawad Urian 2010