アーカイブ

 

研究テーマ

media cultures in philippine neocolonialism

アカデミック・キャリア

professor, university of the philippines

ph.d., school of cinema-television, university of southern california

visiting fellow, national university of singapore

visiting professor, osaka university

論文業績

1. Sipat-Kultura: Mapagpalayang Pagbasa, Pag-aaral at Panunuri ng Panitikan (Cultural Eye: Towards a Liberating Reading, Study and Criticism of Philippine Literature, Quezon City : Ateneo de Manila U P, 2007)

1. Co-editor, Kontra-Gahum: Academics Against Political Killings ( Quezon City : Ibon Publishing, 2006)

1. Co-editor, Transglobal Economies and Cultures: Contemporary Japan and Southeast Asia ( Quezon City : University of the Philippines P and National University of Singapore , 2004)

1. Popular Culture Series, six volumes (1-Kulturang Mall; 2-Disaster, Droga, at Skin Whitener; 3-Si Darna, ang Mahal na Birhen ng Penafrancia, at si Pepsi Paloma; 4-Ang Bago, Bawal, at Kasalukuyan; 5-Paghahanap ng Virtual na Identidad; 6-Lalaking Pin-up, GRO, at Macho Dancer; Special Citation, Manila Critics Circle, 2004), (Pasig City: Anvil Press, 2004)

1.  Sa loob at labas ng mall kong sawi/kaliluha’y siyang nangyayaring hari: Ang Pagkatuto at Pagtatanghal ng Kulturang Popular (Inside and outside my shattered mall/confusion reigns supreme: pedagogy and performance of popular culture; Quezon City : University of the Philippines P, 2001)

1. National/Transnational: Subject Formation and Media in and on the Philippines ( Quezon City : Ateneo de Manila U P, 2001)

1. Editor, Geopolitics of the Visible: Essays on Philippine Film Cultures (Winner, Gintong Aklat for Art Studies, 2002; Nominee, Best Film Criticism Book, Manila Critics Circle, 2001; Quezon City: Ateneo de Manila U P, 2000)

1. Richard Gomez at ang Mito ng Pagkalalake, Sharon Cuneta at ang Perpetwal na Birhen at iba pang sanaysay hinggil sa bida sa pelikula bilang kultural na texto (Richard Gomez and the Masculine Myth, Sharon Cuneta and the Perpetual Virgin and other essays on film stars as cultural texts; Winner, Best Film Criticism Book, Manila Critics Circle, Sept 2001; Manila: Anvil Publications, 2000)

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